"throwing a popsicle into a volcano"
I wanted to add one thought related to my weekend at Austin City Limits Music Fest– one highlight was seeing the Flaming Lips, one of my all-time favorite bands. Wayne Coyne (lead singer) prefaced one song (don’t remember which one; doesn’t matter) by saying that a lot of people have interpreted it to be a protest song about the Iraq war and the general current state of the world. He said, in actuality, that he’d never thought of his songs that way, because he’d always thought of a song as something so happy and fun and celebratory– how could a song, with all those qualities, even begin to address (let alone protest) something as horrible as war? He said that this would be like throwing a popsicle into a volcano; what good would it do? Would it ever affect any change?
This perspective really struck me, as someone who thinks a lot specifically about the potential power of art (in all its forms) to alter peoples’ consciousness in relation to the events and ideology of the moment and how they are portrayed in mass media and understood in popular consciousness. There are so many artists, many of whom are musicians, who use their practice for this very purpose. So to hear this was pretty astonishing, and it made me wonder how many artists feel this way. Do we constantly take artists’ work out of context and make it about something outside of its intent? Probably, but I think that’s actually a great thing. Freedom of expression goes hand-in-hand with freedom of thought, and the meaning that audiences brings to all kinds of art keeps it alive long after it’s created. Something to think about….
This perspective really struck me, as someone who thinks a lot specifically about the potential power of art (in all its forms) to alter peoples’ consciousness in relation to the events and ideology of the moment and how they are portrayed in mass media and understood in popular consciousness. There are so many artists, many of whom are musicians, who use their practice for this very purpose. So to hear this was pretty astonishing, and it made me wonder how many artists feel this way. Do we constantly take artists’ work out of context and make it about something outside of its intent? Probably, but I think that’s actually a great thing. Freedom of expression goes hand-in-hand with freedom of thought, and the meaning that audiences brings to all kinds of art keeps it alive long after it’s created. Something to think about….

1 Comments:
whoa! as i was reading that i actually started to feel myself get upset...
i mean, obviously, i disagree with mr. flaming lips man, though i guess part of that has to do with the fact that, despite my attempts at fame, or at the very least notoriety, having your art (and yourself, i guess) become very popular changes your perspective in huge ways. [a tangent: today i was watching a bit of the pbs docu about andy warhol, and the part we were watching was his pre-fame years, and its astonishing to see how humble and unaudacious he looks... very different from the image of warhol that i've gleaned from dear society.]
anyway, my point is that, to a certain extent, once the artist (especially the well-known ones) does his or her art (plays, paints, performs), he/she (ze, anyone?) gives up so much control over it, which is in and of itself a daunting prospect. perhaps my best example of this is Salinger, who really really hated other people doing things with his writing (movie directors got the fiercest disdain, but young people who tried to contact him to say that the books "spoke to them" got it too). what i guess i'm trying to say is that (and sorry, it's a beatles-are-a-good-band statement) because everyone is going to encounter artwork X differently, trying to control the value of X is pretty fucking difficult. Duh.
Whoa. sorry to preach. (get you're own fucking blog already, charlie, christ. don't crash!)
Post a Comment
<< Home